Next to Son House and Charley Patton, no one was more important to the development of pre-Robert Johnson Delta blues than Tommy Johnson. Armed with a powerful voice that could go from a growl to an eerie falsetto range and a guitar style that had all of the early figures and licks of the Delta style clearly delineated, Johnson only recorded for two years — from 1928 to 1930 — but left behind a body of work thats hard to ignore.

The legend of Tommy Johnson is even harder to ignore. The stories about his live performances — where he would play the guitar behind his neck in emulation of Charley Pattons showboating while hollering the blues at full throated level for hours without a break — are part of it. So is his uncontrolled womanizing and alcoholism, both of which constantly got him in trouble. Johnsons addiction to spirits was so pronounced that he was often seen drinking Sterno-denatured alcohol used for artificial heat — or shoe polish strained through bread for the kick each could offer when whiskey wasnt affordable or available in dry counties throughout the South. Then theres the crossroads story. Yes, years before the deal with the Devil at a deserted Delta crossroad was being used as an explanation of the other-worldly abilities of young Robert Johnson, the story was being told repeatedly about Tommy, often by the man himself to reinforce his abilities to doubting audiences.