Raised bilingually in Aberystwyth, West Wales, Georgia’s haunting voice has earned her favorable comparisons with the melancholy folk sirens of the late 60s. Her unusual fingerpicking style of playing the harp was inspired more by the guitar on Bert Jansch, Meic Stevens and old folk revivalist records than by the classical method she was taught as a child.

Yet ‘Week of Pines’ is not just a tribute to these. Inspired by a recent return to Wales, following time living in Brighton and London, the album represents something of a homecoming trajectory for Georgia. From the motorik drive of the title track, to the darker Eno-like string arrangements, the stark joyfulness of a Welsh sea shanty accompanied by wheezing reed organ, or the more wistful folk ballads: this is a varied and intriguing collection of songs. “Having grown up with dad’s Merchant Navy sea stories (he once met Jacques Cousteau onboard the Calypso), a sea shanty was somewhat inevitable” This one, ‘Codi Angor’, was popular amongst the Welsh sailors in the Liverpool docks and if the album is a homecoming of sorts, this conveys the opposite: the excitement of leaving, of sailing out to sea. ‘Dovecote’ – with its clanging bells and mists – maintains the theme, but on a more abstract level: this is the leaving of old love. ‘Old Blue’ is the Appalachian song, included in Harry Smith’s anthology, made popular by Joan Baez. ‘Winter’, with its slow-march rhythm and redemptive lyrics, brings the album to a fitting close.